They hold a BFA from the Tisch School of the Arts, New York University, and an MFA from the School of Art + Art History + Design, University of Washington. Adamska's work has been exhibited throughout the USA with such highlights as Allouche Gallery (NYC, USA) and Henry Art Gallery (Seattle, USA), as well as Academy Award, BAFTA, and Canadian Award-qualifying film festivals. They have won the Best Narrative Short Film Audience Award at Reeling! Chicago Queer Film Festival for their short film New Flesh for the Old Ceremony and screened it at top-tier global festivals such as NewFest, Vancouver Queer Film Festival and Wicked Queer. Their essay on gender studies Queer Extremities of the Body Politic, is featured at the 2nd Trans Studies International Conference at Northwestern College (Chicago, USA).
Adamska's art practice is a speculative history of queer utopian world-building where empathy and anarchy meet, and then make out. Their work is exists in the intersection of bodily tranformations under fascistic histories, following in the footsteps of David Cronenberg, Pedro Almodóvar, Coralie Fargeat, and Jane Schoenbrun — Adamska merges body horror with overtly political messaging, expanding the audience's political imagination through the delightful mutations of the flesh on screen. Deeply interested in state-sanctioned surveillance, reactive conformity, and topographic portraiture, they have collaborated with artificial intelligence, textile artists, dancers, and adult performers. Adamska is currently working on the development of their debut feature film.
Their visuals hurt so bad but feel so good.